What I'm
about to say might cause some visitors of India to balk, shake their head, or
possibly scoff without even taking a moment to let my words sink in. I think, while acknowledging my limited
experience with India, that Mumbai could possibly be the soul of India. This is a wide claim, I understand that, but
hear me out.
I don't
mean to omply that the many vast cultural sites dotting India take precedence
over the fancy designer label Mumbai crowd, but it's not India's classical soul
I'm talking about. What I mean is that
Mumbai is soulful. I can't think of another word for it but one
night time tour of the city and you'll get an idea of what I mean.
It's the
tongue and cheek array of graffiti that covers the city walls. It flows from references of Bollywood movies
(Wake up Sid, anyone?), to political messages, and finally the skulls that peek
out proclaiming 'stick no bills or I kill you'.
You immediately get a sense for the young scene here and that these
aren't just passive students with time to kill.
Mumbai is full of people trying to make a statement with their city and
there's no way you can leave without feeling that.
I can't
remember how many times I would turn a corner only to fall down a street that
was lined with tea stalls, snack bars, and just to round out this holy trinity,
there would always be a tarp lying somewhere covered in novels for sale. And everywhere businessmen, students,
families, and shoppers would be hanging out for a cup of hot tea and a quick
chat.
Then
there were the street artists. And I'm
not talking about the guys do their best to talk up wooden elephant dolls that were
probably made in China. I met one man
who was selling his drawings for the hefty sum of 700 Rps, all done with
ball-point pen. And while all of them
were portraits the impressive thing he did was combine classic elements of
Indian art with his own personal style.
They were everything I knew I had been saving my rupees for when I
walked away from a crafts fair empty handed.
I didn't want the kitschy souvenirs that invariably all have similar counterparts
waiting to be bought in the U.S., I wanted the original pieces of art done by
hand that reflected the imagination and soul of a country embodied within an
individual. That was exactly what I
found at a busy downtown intersection that could have been any urine-drenched
cobble sidewalk in India.
And
that's exactly what I mean when I say I found Mumbai to be soulful. I'm not denying that Madurai doesn't hold a
piece to India's heart and soul, if anything Meenakshi temple is the trump card
that nobody else can beat. But I hadn't
been able to find anything unique for sell that not a million tourists before
me hadn't already been properly fleeced for.
Something that could connect me to a specific person, something that could
create the bond that a single meeting can't.
This
isn't all there is to Mumbai of course.
There is obviously the glitzier side, the money, the bars, the shiny
buildings that want to leave all temple towers behind. It's hard to ignore that and perhaps there
are traveler's out there who would very much like to ignore the bright malls
scattered throughout the suburbs. But
personally I can't believe that's a good enough reason to right off a city nor
is it our right to scoff at that. Are we
admitting that we only travel here because we want our India to stay all dusty bazaars so that we can run away from
our many array of superficial malls?
Obviously there is a demand here for them and who are we to say where
consumerism should be allowed.
Of course
that's just one side. Turn around and
you'll think you've fallen into Turkey somehow.
Walk another mile or so and you'll swear you must be in Paris with the
Eiffel Tower not far away. The
architecture in Mumbai is both breathtaking and whimsical; there are so many
different influences and creators from far-away corners of Europe and
elsewhere. I still can't decide if I'll
ever see another city quite like that; it was like a Snowglobe in constant
motion with different people, different styles, and different backgrounds constantly
colliding together. I think this speaks
volumes about why I enjoy cities such as Mumbai and Bangalore so much; people
from different corners of India and beyond have been drawn to these places. And this is evident not just in the city's
faces but in their very attitude.
Perhaps this is where my American side comes out, I can't help but be
drawn to a certain level of diversity and I can't help but think that diversity
is beautiful.
Then again there will be many who bemoan this
type of integration simply because it's often working tandem with
modernization. Some might even say that
it's modernization that has taken away the true spirits of many rich heritages
across the globe and it is a common critique of most major cities. For example amongst Japan-enthusiasts there
is the age old argument of whether Tokyo is the "real" Japan. Since when did Tokyo jump ship and secede
from Japan, would be my question to those people. The same can be said of Mumbai. But I don't think there's anyone so arrogant
willing to say there is only one true India.
Surely by now it has become obvious that India's heart and soul has
spread to the U.S. the U.K., anywhere you find Indian communities.
But how
can I make any strike against modernization?
Aren't I, too, a product of that modernization? I'm a Mexican-American teaching Japanese in
South India, nothing about that statement has any type of cohesion. I'm as scattered as a person can be. At least that's one way to look at it. I choose to see this as a reminder that while
I might have been born within the man-made borders of the U.S.A. that holds no
sway over my true origins. After all,
aren't we all just children of the earth?
I
suppose what I'm trying to say, dear travelers, is that you shouldn't count out
this rather unique city. Sure you will
run into more than a fair share of other foreigners but that's not Mumbai's
fault; it's merely proof that this world is getting smaller every day. Hopefully you can put aside your own ideas of
what India should be and remember that the only constant we have is
change. And the only way you can truly
get to know a country is to listen to those who not only live in it but listen
to those who mold it.
P.S. Dear Readers who may or may not exist, I apologize for becoming so philosophical all of a sudden. Looks as though my blog is just as scattered as I am.
P.S. Dear Readers who may or may not exist, I apologize for becoming so philosophical all of a sudden. Looks as though my blog is just as scattered as I am.